![]() It contains more discussion of the musical topics found in these FAQs as well as other subjects of interest. It is also recommended that you read Bruce Arnold’s Blog at his artist site. ![]() ![]() A great recording and great playing but it was different than the commercial release currently available. The first one with sort of a geometric shapes on the cover was a CDR release and was never commercially pressed. There were actually two Spooky Action CDs with two different bands. Sometimes this will take multiple attempts in a row before you start to pre-hear the note. Repeat the same note and exercise over and over until you are able to pre-hear the note. Try to sing note even if you don’t pre-hear it. You will find by using repetition that you will pre-hear the note. Your method for pre-hearing sounds fine except I would at least try to sing a note before checking the correct pitch on an instrument. Teachers that are using, or have used, my method work through it the same way as I recommend. Many times each teacher will decide on what books they want to use for their course so you will find teachers at NYU still using the interval method in their classes. The Theory Department, which is where the ear training courses are offered, has used my ear training books. At, the CD cover for Spooky Actions is a different one than the one on Muse-Eek (which by the way is awesome!) Is this a different CD? If so, can I get it through Muse-eek?Ī: The music department in the Steinhardt school at NYU would best be described as fluid. I am at about 100% accuracy on the Ear Training One Note Complete advanced level, and working on Key Note Recognition, but it took me a few months to even be able to pre-hear the root note of the key in Fanatic’s Guide to Ear Training and Sight Singing! Now, of course I have moved on to other notes. Does this seem like a good method for tackling my problem? Or is there something different I should be doing? Although this is the method described in the book, I feel that I am doing something wrong. What I am doing is, listening to the cadence, trying to pre-hear whatever note I am working on, and if I cannot hear it, play the note on an instrument, and repeat this several times until I start to hear an image of the note in my head. With Fanatic’s Guide to Ear Training and Sight Singing, I am still working on the first one note exercises, but am still REALLY slow on my pre-hearing. Are your books the ones that they use in the Aural Comprehension classes? How does this work in a classroom setting? Do the classes start with Ear Training One Note Complete CD’s or Fanatic’s Guide to Ear Training and Sight Singing, and gradually, throughout a period of a few years move on throughout the Two Note Ear Training series? I will be attending NYU next year at the CAS, not Steinhardt, but am strongly looking into doing a music minor at Steinhardt. I noticed at the Muse-Eek website that several of your books are required texts at NYU. Aural Comprehension Classes at NYU and Muse-eek Textbooks
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |